Generally, enabling this mode lets you take advantage of the full dynamic range of your camera whether it’s a Red Dragon, Sony FS-7, Arri Alexa, Canon C300, Sony A7s or any other camera capable of shooting Log.
Some of the tools I've mentioned above are absolute essentials that I've picked up along the way.Shooting in S-Log is one of the most common traits of achieving a cinematic look. It's your job to shape the light as well as control the amount of light. Remember, a painter uses paint, a cinematographer uses light. You should also always use a light meter to make sure you're getting the right exposure in the right areas for your scene. It is very difficult to judge what your image will be like in post while lighting a flat, dull image. Not only is this a better image to look at while you're shooting, it also makes it easier to light your scene. They allow you to see what your end result will be like while you're shooting! This is why monitors like the SmallHD 500 series or Zacuto's Gratical is so powerful. While slog2 or Black Magic's Camera RAW is excellent for holding the color information, it's not exactly great to look at while shooting. With your LUT exported, you can now import it into your monitor and start shooting while monitoring great colors! Why You Should Use a LUT while Shooting Export Your LUTĪll you have to do to export your custom LUT is right click the thumbnail on the timeline within the color tab in Davinci Resolve, select the 3D LUT Cube option and that's it. Now that you've interpreted the colors and "color matched" the footage, it's time to export your LUT for your monitor.
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